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. . . . the process by which an art object is constructed – positive + negative – a being that is an exploration of aesthetics and trajectories, in infinite different directions: nothing real and nothing applied, nothing affirmed or asserted, only attempted, tried, asseverated: nothing applied and nothing personal, nothing professed and nothing communicated: pure process, transforming and conforming itself, attempting to be, attempting to see . . . . . a little, a tiny bit, more of light, more of shine, more of good, more clearly . . . . to get (t)(HERE), precise . . . .

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